Agamemnon

Explain how the intellectual contexts of Berkoff and Wolf determine their portrayal of the circular of Agamemnon. In text one, Berkoff’s portrayal of Agamemnon, Clytemnestra and Cassandra support his existentialism through his reducing of the play to being a conduct of sexual politics through language. This is displayed through Clytemnestra’s open confronting questions ‘What are you thinking/of her? Was her body nice to touch/did it pleasant you/softly/comforting/did you break your rock hard…’ mask a less conservative, cynical and objective way of visual perception sexuality. This evident collapse of marriage/religious morality and place upright of individualism/ consumerism mean objectification of sexuality in the play. The relationship amid Clytemnestra and Agamemnon is cut down to a dysfunctional marriage for empathetic companionship with the interview so that the audience can see from Berkoff’s emplacement on the realit y of the meaninglessness of the world. The chorus presents the ultimate in ‘bad faith’ ‘no curse here(predicate)…clean metropolis…Agamemnon’s city’ becuaase they identify with the solid ground’s state uncritically.

In text 2, Wolf’s exposure of Cassandra helps support her feminism beca utilize she expresses her feminist views through the heroine Cassandra. Her theatrical role of condescending adjectives ‘whimpering, spewing Agamemnon’ contrasts with her affirmative adjectives ‘for I derived joy from everything I aphorism – joy, not hope!’ enforcing her belief that w! omen has the strength and are more(prenominal) master than men as women are like the lifetime take whilst men are just related to struggle and death. The phrase of ‘prophecy’ in ‘Why did I urgency the throw of prophecy, come what may?’ is used as a symbol for female autonomy and own individual perspective. These two texts show that the female characters are quite similar in the scent out that they are the more...If you want to get a adequate essay, bless it on our website: OrderCustomPaper.com

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